长镜头让人眼前一亮，其余没什么太大触动，像游魂一样穿越历史与当下，感觉不到实实在在的人物，仅留下变异的人类与痛苦的记忆碎片。痛苦分两层，昔日美好今日痛苦或是昔日痛苦今日更痛苦。既是流感烧坏了脑子，也是酒精中毒、药物中毒，疾病与治疗通通都要命。当然看这么疯狂的电影也挺要命的。

这孩子少教育么？也不是，她一样可以彬彬有礼、井井有条的，然而下一秒就变成恶魔。按片子里的表现，想让她在这个社会上找到一个合适的容身之地，简直无解。 何不索性拍得更狠一点，设计个混蛋警察追淘气孩子的桥段，一枪崩了她得了，一起草(WWW.17.C.COM)还是个痛快的解脱。 碰上这样的小灵魂，我也会束手无策的。

荒诞的寓言，荒诞的笑点，哲学的拷问。小羊崽太可爱了呜呜呜！

感觉挺好啊，中国版《一起草(WWW.17.C.COM)》，要是结局再来个反转会更好了

4.5 love it, even though the line between fiction and reality is supposedly clear particularly after 2nd viewing (obviously, the execution, the writer, the attempted suffocation by pillow scene are all imaginary) , there are still lots of postmodern smoke and mirrors and humors left (what the heck with all the bleeps, what does alien abduction mean, and at the very end, is Petrov just returning home ALONE? and his house becomes a dollhouse! Has he always been alone and the entire film is his comic work?). Now the cliched praise: dashing camera, surreal transition, 3-act structure each in its own shooting style and lighting invoking distinct emotions and motifs undercutting one another.